Thinking Fellers Union Local 282 were remnants of San Francisco's hippie/freak culture of the 1960s, and heirs to the Residents' theatrical madness. Tangle (1989) and especially Lovelyville (1991) collected eccentric, amateurish, irreverent and manic-depressive miniatures that overflowed with echoes of the most disparate genres (free-jazz. Jan 07, 2015 Thinking Fellers Union Local 282 are one of the least-well-remembered bands of the '90s; Iowa emigrants who were part of a Bay Area mini-scene which was simultaneously more experimental and tuneful than the era norm, with a certain similarity to British shoegazer cast in a prog-rock format, they put out a number of records on Matador but never got to be more than wacky filler on college. Buy THINKING FELLERS UNION LOCAL 282 & Prog Rock Digital Music online: AmazonMP3: Search for THINKING FELLERS UNION LOCAL 282 DRM-Free MP3 Downloads @ Amazon.com MP3; Try Amazon Prime Music (30-day free trial) THINKING FELLERS UNION LOCAL 282 Strangers From The Universe ratings distribution. A gem from the fellers. My Pal the Tortoise, off of Strangers From the Universe.
Thinking Fellers Union Local 282 is an American experimental indie rock group, which was formed in 1986 in San Francisco, California, United States, though half of its members are from Iowa. Their albums combine lo-fi noise rock and ambient sounds (referred to as 'Feller filler') with tightly constructed rock and pop songs. The band has a small but intensely loyal cult following. Band members are Brian Hageman, Mark Davies, Anne Eickelberg, Hugh Swarts and Jay Paget. Hageman was also a member of the Iowa City based group, Horny Genius.
The band achieved their greatest critical and commercial success in the mid-1990s, when they signed with the indie rock label Matador Records. It was during this time that Thinking Fellers produced their most prominent albums, Lovelyville, and Strangers from the Universe. They toured the Netherlands, Germany, Switzerland and the UK in 1994 and made an appearance on the John Peel radio show on the BBC. In 1996 they toured briefly as an opening act for the then-popular band Live but were not received well by the Live fanbase. Thinking Fellers has been largely dormant since 1996, having toured sporadically and released only one full album, Bob Dinners and Larry Noodles Present Tubby Turdner's Celebrity Avalanche, since. Western mvp snow plow service manual 2016.
Sometimes the greatest of things go completely unnoticed. In this case it's not a far cry to call Thinking Fellers Union Local 282 true visionaries. Their name reeks of pretension and self-importance -- thankfully, neither are applicable. This whimsical group made deceptively simple pop recordings during the late '80s and up until the new millennium, in the same vein as label-mates Guided By Voices and Pavement. While their recording style embraced the lo-fi aesthetic of their brethren at Matador Records, their songwriting style meandered a completely different path.
Thinking Fellers Union Local 282's records were, for most respects, just plain fucking weird. In their early years, most songwriting passages get interrupted by disunited and disorganized excerpts of noise. By the time they signed to Matador Records in the early '90s, TFUL '82 cleaned up their records, but retained their same whimsical sense of humor and execution. The result: a brilliant post-apocalyptic mess that somehow managed to garner a minor college rock hit, Strangers from the Universe. In the past few months this record has ascended my depth chart of favorite albums. It's an amalgam of everything I love: idiosyncratic indie rock and really unusual (but otherwise groovy) pop melodies. It sounds like someone shoved Crooked Rain, Crooked Rain through a blender and ported the great steaming mess into a thirteen-track take. Although the band tries their best on this album to obliterate any chance of landing a top forty hit, they do fuck up occasionally and produce a truly memorable song, like this one here entitled 'Cup of Dreams':
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And while TFUL 282 never really received the critical attention they so deserved, this album is a summary exploration of their career's material. So much of this album is expressive of their wide grasp of musical innovation, and their love for it. Sadly, the Fellers have since amicably dissolved, but their existence leaves an indelible impression of what's so wonderful about music in the first place.